Israel votes to refund settlers essays

Israel votes to refund settlers essays Title of the article: Israel votes to refund settlers This article can be summarized in three main points. (a) Ariel Sharon wants to remove 21 Israeli settlements in the Gaza Strip and four of 120 in the West Bank by compensating the Israeli settlers in these areas. (b) Prime Minister Ariel Sharon's questionable proposal can cause great problems within the Likud Party, even though many Israeili citizens support it. (Four Likud ministers opposed the proposal) (c) Mr Sharon supports his proposal basically because he thinks by removing the settlements in these areas the security in Israel will develop for the better. First when I heard about this I thought it was a great idea. I couldn't understand why some ministers opposed the proposal while almost 65% of the Israeli population liked it. Now that I've thought about it I've reached a conclusion. I don't think a person like Ariel Sharon would just decide to remove Israeli settlements from areas they've fought so hard to get. I think he has other motives such as concentrating on larger areas that could give the Israelis more control. Realistically I don't think that this would develop the security of the country. Removing the Israeli settlements in the specific areas would mean that he has to find somewhere to place them. Therefore I believe that this so called withdrawal is just a way for Israel to expand its territory and trick the Palestinians into thinking they're slowly being given a chance to a Palestinian state. Mr Sharon is very clever but I think that if he was really going for peace he would withdraw all the Israeli settlements from the West Bank and not only some. Also, if it was a real withdrawal, the Palestinians would be able to live anywhere in Israel. Therefore I don't think this proposal would bring peace. What we have in these areas is clash of civilizations and therefore I don't thin ...

Overview of Toltec Gods and Religion

Overview of Toltec Gods and Religion The Ancient Toltec civilization dominated Central Mexico during the post-classic period, from approximately 900-1150 A.D. from their home in the city of Tollan (Tula). They had a rich religious life and the apogee of their civilization is marked by the spread of the cult of Quetzalcoatl, the Feathered Serpent. Toltec society was dominated by warrior cults and they practiced human sacrifice as a means of gaining favor with their gods. The Toltec Civilization The Toltecs were a major Mesoamerican culture who rose to prominence after the fall of Teotihuacn in approximately 750 A.D. Even before Teotihuacan fell, Chichimec tribes in central Mexico and the remnants of the mighty Teotihuacan civilization had begun coalescing into the city of Tula. There they founded a powerful civilization which would eventually extend from the Atlantic to the Pacific through networks of trade, vassal states, and war. Their influence reached as far as the Yucatan Peninsula, where the descendants of the ancient Maya civilization emulated Tula art and religion. The Toltecs were a warlike society ruled by priest-kings. By 1150, their civilization went into decline and Tula was eventually destroyed and abandoned. The Mexica (Aztec) culture considered ancient Tollan (Tula) the high point of civilization and claimed to be descendants of the mighty Toltec kings. Religious Life at Tula Toltec society was highly militaristic, with religion playing an equal or secondary role to the military. In this, it was similar to the later Aztec culture. Still, religion was extremely important to the Toltecs. The kings and rulers of the Toltecs often served as priests of Tlaloc as well, erasing the line between civil and religious rule. Most of the buildings in the center of Tula had religious functions. The Sacred Precinct of Tula Religion and gods were important to the Toltecs. Their mighty city of Tula is dominated by the sacred precinct, a compound of pyramids, temples, ball courts, and other structures around an airy plaza. Pyramid C: The largest pyramid at Tula, Pyramid C has not been completely excavated and was extensively looted even before the Spanish arrived. It shares certain characteristics with the Pyramid of the Moon at Teotihuacan, including its east-west orientation. It was once covered with relief panels like Pyramid B, but most of these were looted or destroyed. The little evidence that remains suggests that Pyramid C might have been dedicated to Quetzalcoatl. Pyramid B: located at a right angle across the plaza from the larger Pyramid C, Pyramid B is home to the four tall warrior statues for which the site of Tula is so famous. Four smaller pillars contain relief sculptures of gods and Toltec kings. A carving on the temple is thought by some archaeologists to represent Quetzalcoatl in his aspect as Tlahuizcalpantecuhtli, the warlike god of the morning star. Archaeologist Robert Cobean believes that Pyramid B was a private religious sanctuary for the ruling dynasty. The Ball Courts: There are at least three Ball courts at Tula. Two of them are strategically located: Ballcourt One is aligned to Pyramid B on the other side of the main plaza, and the larger Ballcourt Two makes up the western edge of the sacred precinct. The Mesoamerican ball game had important symbolic and religious meaning for the Toltecs and other ancient Mesoamerican cultures. Other Religious Structures in the Sacred Precinct: In addition to the pyramids and ball courts, there are other structures in Tula which had religious significance. The so-called Burned Palace, once thought to be where the royal family lived, is now believed to have served a more religious purpose. The Palace of Quetzalcoatl, situated between the two major pyramids, was also once thought to be residential but is now believed to have been a temple of sorts, possibly for the royal family. There is a small altar in the middle of the main plaza as well as the remains of a tzompantli, or skull rack for the heads of sacrificial victims. The Toltecs and Human Sacrifice Ample evidence at Tula shows that the Toltecs were dedicated practitioners of human sacrifice. On the western side of the main plaza, there is a tzompantli, or skull rack. It is not far from Ballcourt Two (which is probably not a coincidence). The heads and skulls of sacrificed victims were placed here for display. It is one of the earliest known tzompantlis, and probably the one that the Aztecs would later model theirs upon. Inside the Burned Palace, three Chac Mool statues were found: these reclining figures hold bowls where human hearts were placed. Pieces of another Chac Mool were found near Pyramid C, and historians believe that a Chac Mool statue probably was placed on top of the small altar in the center of the main plaza. There are depictions at Tula of several cuauhxicalli, or large eagle vessels which were used to hold human sacrifices. The historical record agrees with the archaeology: post-conquest sources recounting Aztec legends of Tollan claim that Ce Atl Topiltzà ­n, the legendary founder of Tula, was forced to leave because the followers of Tezcatlipoca wanted him to increase the number of human sacrifices. The Gods of the Toltecs The ancient Toltec civilization had many gods, chief among them Quetzalcoatl, Tezcatlipoca, and Tlaloc. Quetzalcoatl was the most important of these, and representations of his abound at Tula. During the apogee of the Toltec civilization, the cult of Quetzalcoatl spread throughout Mesoamerica. It even reached as far as the ancestral lands of the Maya, where similarities between Tula and Chichen Itza include the majestic Temple to Kukulcn, the Maya word for Quetzalcoatl. At major sites contemporary with Tula, such as El Tajin and Xochicalco, there are important temples dedicated to the Feathered Serpent. The mythical founder of the Toltec civilization, Ce Atl Topiltzà ­n Quetzalcoatl, may have been a real person who was later deified into Quetzalcoatl. Tlaloc, the rain god, was worshiped at Teotihuacan. As the successors of the great Teotihuacan culture, it is no surprise that the Toltecs venerated Tlaloc as well. A warrior statue dressed in Tlaloc garb was discovered at Tula, indicating the probable presence of a Tlaloc warrior cult there. Tezcatlipoca, the Smoking Mirror, was considered a sort of brother god to Quetzalcoatl, and some surviving legends from the Toltec culture include both of them. There is only one representation of Tezcatlipoca at Tula, on one of the columns atop Pyramid B, but the site was heavily looted even before the arrival of the Spanish and other carvings and images may have been carried off long ago. There are depictions of other gods at Tula, including Xochiquetzal and Centeotl, but their worship was clearly less widespread than that of Tlaloc, Quetzalcoatl, and Tezcatlipoca. New Age Toltec Beliefs Some practitioners of New Age Spiritualism have adopted the term Toltec to refer to their beliefs. Chief among them is the writer Miguel Angel Ruiz, whose 1997 book has sold millions of copies. Very loosely stated, this new Toltec spiritual belief system focuses on the self and ones relationship to things one cannot change. This modern spirituality has little or nothing to do with religion from the ancient Toltec civilization and should not be confused with it. Sources Charles River Editors. The History and Culture of the Toltec. Lexington: Charles River Editors, 2014. Cobean, Robert H., Elizabeth Jimà ©nez Garcà ­a and Alba Guadalupe Mastache. Tula. Mexico: Fondo de Cultura Economica, 2012. Coe, Michael D, and Rex Koontz. 6th Edition. New York: Thames and Hudson, 2008 Davies, Nigel. The Toltecs: Until the Fall of Tula. Norman: the University of Oklahoma Press, 1987. Gamboa Cabezas, Luis Manuel. El Palacio Quemado, Tula: Seis Decadas de Investigaciones. Arqueologia Mexicana XV-85 (May-June 2007). 43-47

The Goddess Tara in Buddhist Art Research Paper - 1

The Goddess Tara in Buddhist Art - Research Paper Example Though not explicitly mentioned anywhere, Tara’s rise did pave the way for more active involvement of women in Buddhist society. Women began to find a say in matters that up until then had primarily been the dominion of men. Goddess Tara was considered as an enlightened role model within the Buddhist tantra. According to folklore, â€Å"Tara was born out of the tears of Lord Buddha†(Santhanam, 2005) In tantric literature, she is the first female Buddha. Tara follows a tradition of strong female role models, starting in the ancient Vedic period and continuing through early Mahayana times. Some of the duties that Tara performs are similar to those of her contemporaries like Goddess Prajnaparamita. Goddess Tara is also associated with an ancient star cult that provided help to seafarers lost at sea. It is also interesting to note that ‘Tara’ means star in Sanskrit. She is also considered to protect humans from nature’s fury including ocean waves, floods , fires, epidemics, etc. With time she has also come to be regarded as a guide to achieve Moksha, which is the Sanskrit word for enlightenment. Tara emerged as Goddess during a time when Buddhist society was mainly patriarchal. Her manner of presentation was similar to those of male bodhisattvas of earlier times. Tara is unbiased in guiding all â€Å"motherly† sentient beings and helps extricate them from the ocean of suffering. She has got rid of all actions deemed morally wrong and has also gotten over her attachment towards worldly pursuits. â€Å"As a Bhagavati, Tara is a female Buddha who is spontaneously present, totally living in the moment without getting bothered by thoughts of the past or the future†. (Landesman, 2008)Tara has many dimensions to her state of being, and this is visually depicted in paintings on cloth and powdered colours on flat surfaces. She is at times a golden goddess who showers prosperity on her worshippers and also protects